2 euro Netherlands 2011, The 500th anniversary of the publication of the world-famous book "Laus Stultitiae" by Desiderius Erasmus

2 Euro Commemorative Coins Netherlands 2011 by Desiderius Erasmus of Rotterdam

€2 commemorative coins - Netherlands 2011, The 500th anniversary of the publication of the world-famous book "Laus Stultitiae" (The Praise of Folly) by the Dutch Renaissance philosopher, Catholic priest, social critic, humanist and theologian Desiderius Erasmus. 

Commemorative 2 euro coins from Netherlands

Desiderius Erasmus
Desiderius Erasmus Roterodamus (27 October 1466 – 12 July 1536), known as Erasmus of Rotterdam, or simply Erasmus, was a Dutch Renaissance humanist, Catholic priest, social critic, teacher, and theologian.

Erasmus was a classical scholar who wrote in a pure Latin style. Amongst humanists, he enjoyed the sobriquet "Prince of the Humanists"; he has been called "the crowning glory of the Christian humanists". Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament. These raised questions that would be influential in the Protestant Reformation and Catholic Counter-Reformation. He also wrote On Free Will, The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works.
Erasmus lived against the backdrop of the growing European religious Reformation; but while he was critical of the abuses within the Church and called for reform, he kept his distance from Luther and Melanchthon and continued to recognise the authority of the pope. Erasmus emphasized a middle way, with a deep respect for traditional faith, piety and grace, and rejected Luther's emphasis on faith alone. Erasmus therefore remained a member of the Catholic Church all his life. Erasmus remained committed to reforming the Church and its clerics' abuses from within. He also held to Catholic doctrines such as that of free will, which some Reformers rejected in favour of the doctrine of predestination. His middle road approach disappointed and even angered scholars in both camps.
Erasmus died suddenly in Basel in 1536 while preparing to return to Brabant, and was buried in the Basel Minster, the former cathedral of the city. A bronze statue of him was erected in his city of birth in 1622, replacing an earlier work in stone.
Erasmus was his baptismal name, given after St. Erasmus of Formiae. Desiderius was a self-adopted additional name, which he used from 1496. The Roterodamus in his scholarly name is the Latinized adjectival form for the city of Rotterdam.

The Praise of Folly
In Praise of Folly (Latin: Stultitiae Laus, sometimes translated as In Praise of More; Greek title: Morias Enkomion (Μωρίας Εγκώμιον); Dutch title: Lof der Zotheid) is an essay written in Latin in 1509 by Desiderius Erasmus of Rotterdam and first printed in 1511. The essay was inspired by De Triumpho Stultitiae, written by the Italian humanist Faustino Perisauli, born at Tredozio, near Forlì.
Erasmus revised and extended the work, which he originally wrote in the space of a week while sojourning with Sir Thomas More at More's estate in Bucklersbury. In Praise of Folly is considered one of the most notable works of the Renaissance and played an important role in the beginnings of the Protestant Reformation.

In Praise of Folly starts off with a satirical learned encomium, in which Folly praises himself, after the manner of the Greek satirist Lucian, whose work Erasmus and Sir Thomas More had recently translated into Latin, a piece of virtuoso foolery; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church—to which Erasmus was ever faithful—and the folly of pedants. Erasmus had recently returned disappointed from Rome, where he had turned down offers of advancement in the curia, and Folly increasingly takes on Erasmus' own chastising voice. The essay ends with a straightforward statement of Christian ideals.
Erasmus was a good friend of More, with whom he shared a taste for dry humor and other intellectual pursuits. The title "Morias Encomium" can also be read as meaning "In praise of More." The double or triple meanings go on throughout the text.
The essay is filled with classical allusions delivered in a style typical of the learned humanists of the Renaissance. Folly parades as a goddess, offspring of Plutus, the god of wealth and a nymph, Freshness. She was nursed by two other nymphs Inebriation and Ignorance, her faithful companions include Philautia (self-love), Kolakia (flattery), Lethe (forgetfulness), Misoponia (laziness), Hedone (pleasure), Anoia (madness), Tryphe (wantonness) and two gods Komos (intemperance) and Eegretos Hypnos (dead sleep). Folly praises herself endlessly, arguing that life would be dull and distasteful without her. Of earthly existence, Folly pompously states, "you'll find nothing frolic or fortunate that it owes not to me."